On Sunday of Awesome Con, I decided to wear an older costume, my Stephanie Brown Robin. I had last worn it to PAX East in 2015, so I thought it was time to bring it out again. For this wearing, I fixed up the belt and made a new mask.
On Saturday of Awesome Con, Maggie and I decided to both wear Outlander costumes. We had planned to do that last year, but it fell through. When I posted our plans on Facebook, I found out that Rebecca was also going to wear an Outlander cosplay that day, so I arranged a meetup for us three to do photos with Mike.
On Friday of Awesome Con, I wore my DC Bombshells Catwoman cosplay for the first time. To be honest, I hadn’t originally planned on finishing this costume for Awesome Con. I had started it on a whim when I had a quiet weekend earlier in the winter, and I had no firm plans or expectations. But then Jamey said she was trying to finish a DC Bombshells Black Canary for Awesome Con, so I decided to make a push as well. I was on a busy project at work at that time, so I cut my sewing close. I was putting the final stitches in my gloves on Friday morning. However, it all worked out in the end!
Mike and I saw a lot of excellent cosplayers at Awesome Con this year. Since the convention is pretty open in terms of theme, there is always a really large variety of fandoms represented, which I love. You can find something for everyone.
I’m still home sick today, but I’ve progressed to the coughing phase of the cold, which usually means the end is in sight. Anyway, I thought it was time to get back to event recaps.
At the end of March, I attended Awesome Con in downtown Washington, DC. This is one of my favorite local cons, because it covers such a broad range of interests, including comics, movies, TV, books, and more. I am always sure to find a number of interesting panels to attend and things to see.
This post is about the con itself. I will follow up with other posts about the cosplay later.
I already wrote about what we did on Friday of the con. Highlights included getting some comics signed by Tom King and Clay Mann, hearing Paul Levitz speak, and doing several photo shoots with friends.
I made a new dress for myself, using the same pattern from my maroon round gown. I had bought this amazing striped silk taffeta from Samantha that was just begging to be made into something 1780s. For accessories, I wore a Queen Anne necklace that I made, along with matching earrings. (The same style of necklace is available in my Etsy shop, here, and I am happy to make matching earrings by request.) I finished everything off with my American Duchess Dunmore shoes.
I’m home today from work with a cold, sigh. But because, as usual, I can’t sit still even when I’m sick, I thought I’d use this time to catch up on blogging (in between naps).
This past weekend, Maggie and I hosted an 18th century “picnic.” I put picnic in quotes because it was raining, so we had to move to an indoor location, the function room of our friend Janine’s apartment building. (Thank you, Janine, for offering such a great space!)
The room was nice and big, offering a perfect place for the party, but a somewhat challenging setup for photos. There were not that many areas that had “non-busy” backgrounds. However, Mike found a nice solution that I wanted to share.
Recently, I’ve gotten some questions from other historical costumers as to how portrait-style photographs can be captured, even in a situation where there are lots of other people around, and when the setting isn’t period-appropriate. The first point I’ll make is that you don’t actually need that much space to get a nice photo. An area that doesn’t have anything distracting in the background and is only a few feet wide can be enough for a waist-up shot. Secondly, light that is good in terms of amount, direction, and color is often more important than the background. Diffuse, neutral-colored light that can be focused on the subject rather than the surroundings will draw the eye to the person and make the background less noticeable. (This is particularly true if you can shoot with a wider aperture, and thus blur the background a bit with a shallow depth of field.) Look for natural rather than artificial light, as most lamps and light fixtures produce beams that are too concentrated or have a noticeable yellow tint.
I was excited to get the opportunity to work with a number of different photographers at the March D.C. Cosplay Photo Shoots meet up. I debuted a new cosplay, “Knightmare” Catwoman, based on the “Rules of Engagement” arc in the Batman comics, written by Tom King, with art by Joelle Jones. The design is similar to that seen in the Batman nightmare sequence in Batman v Superman: Dawn of Justice, but interpreted for Catwoman. (Given that the movie was only so-so, I was excited that Tom King decided to bring that costume design into the comics universe, both for Batman and Catwoman. It takes an interesting costume and puts it in a better story.) It was the perfect cosplay for a shoot at the Graffiti Warehouse, and it used a lot of things I already had in the closet. (Yes, I have now gotten to the point where I have done so many Catwoman cosplays that I can throw a new one together using a lot of things I already have!)
On to the photos. I’ll start with the ones that Mike took of me (and I edited), followed by ones taken by other photographers.
Mike and I started by working in the ground floor room of the warehouse, which has lots of cool graffiti, but is also pretty dark. We had to be creative to get decent lighting. Mike had me get up on a metal countertop facing the center of the room. He said he wanted to try a “draw me like one of your French girls” pose. I was skeptical it would work. Hence this face.
In March, Mike and I were able to attend another D.C. Cosplay Photo Shoots meet up. The location was the Graffiti Warehouse in Baltimore, which is a really cool artist space with lots of graffiti murals both inside and outside. The theme was “Grit,” meaning rough-and-tumble or post-apocalyptic characters. However, due to a busy local cosplay schedule (Katsucon was just a couple weeks beforehand), cosplayer signups were on the short side, so the theme ended up being expanded to anything that would fit with the location.
I invited Maggie along because I thought she would enjoy participating in a D.C. Cosplay shoot. She wore her beautiful Violet Baudelaire costume (from A Series of Unfortunate Events).
This post is about the photos that Mike took of other cosplayers (and I edited). I’ll follow up with a post on photos of me later.
This was my first time editing in Lightroom, as Mike and I finally decided to upgrade from Adobe Bridge CS5. It took a little getting used to, but a lot of the basic layout and tools are similar. Plus, it gave me the opportunity to play around with some Scott Kelby presets, which I had wanted to do for a while.
On to the photos!
The first cosplayer that Mike worked with was Lily of Cool Beans Cosplay, as fem Spider-Man. I love her costume, especially with all the colors and textures.
I had the pleasure of working with a number of photographers at the January D.C. Cosplay Photo Shoots meetup. Several of them were folks I had never met before, and it was great to get to know some new-to-me local photogs. (Mike and I hadn’t been able to make a shoot for about a year, due to a variety of scheduling issues. But we’ve been to two shoots so far in 2018, which is a pattern I hope to keep up with!)
The Blue Valley Vineyard and Winery was a lovely location for a shoot, but, because it was January, we had the challenge of harsh winter sun outside. I was interested to see what each photographer was able to do with it. The solution that Mike and I came up with was to shoot with the sun almost behind me, coming across my left shoulder. This gave a pretty halo effect, but I had to be careful about which way I turned my head and body to avoid dappling. I like the results!
I wore an older costume, which was actually only my second 18th century ensemble. I made the jacket back in 2012 for the first Francaise Dinner, and I had not worn it for several years. The jacket is hand sewn from ice blue silk taffeta purchased from Renaissance Fabrics. I only needed two yards. (My blog posts on the construction are here.) I accessorized with a cap from Fashions Revisited, a walking stick from Colonial Williamsburg, a velveteen muff, and jewelry that I made (similar pieces are available in my Etsy shop). My shoes are by American Duchess.